Elsa Simon

biography  |  portfolio  |  artists listing

b. 1924, Budapest, Hungary


SELECTED COLLECTIONS

City of Beverly Hills, CA


SELECTED EXHIBITIONS

2009        Hot Tea!, del Mano Gallery, Los Angeles, CA
2006        Orton International Cone Box Exhibition, Baker, KS
2005        Girardot National Juried Exhibition, Cape Girardeau, MO
2004        30 Southern California Artists, Riverside College, Riverside, CA
                Hot Tea!, del Mano Gallery, Los Angeles, CA
2002        Salzbrand Sixth International Competition, Koblenz, Germany
                50 Southern California Ceramists, Los Angeles International Airport, Los Angeles, CA
2001        14th National Juried Competition, Purchase Award, South Cobb Alliance, Mableton, GA
                ANA 30, Holter Museum of Art, Helena, MT
                California Clay Competition, Davis, CA
2000        Beverly Hills Affaire in the Garden, Award, Beverly Hills, CA
1999        Hot Tea!, del Mano Gallery, Los Angeles, CA
                ANA 28, Holter Museum of Art, Helena, MT
                Los Angeles International Airport, Los Angeles, CA
1998        Awareness: A Celebration of Jewish Artists, Finegood Gallery, Woodland Hills, CA
1997-98   Beverly Hills Affaire in the Garden, Awards, Beverly Hills, CA
1990-98   Annual Art Exhibition, California State University, Northridge, CA
1997        Sparked by Fire, Award, Irvine Fine Arts, Irvine, CA
                American Ceramics Society Exhibition, Burbank, CA
1996        International Orton Cone Box Competition, Purchase Award, Baker University, Baker, KS
                Over 60 Program, California State University, Northridge, CA
1995        Clay IV, San Diego Potters Guild Competition, La Jolla, CA
1992-95   California Collegiate Ceramics Show, National Competition, Riverside, CA
1993        Southern California Competition, American Ceramics Society, La Jolla, CA
1980-88   Annual Group Exhibition, Santa Monica College, Santa Monica, CA


ARTIST’S STATEMENT

My first class at New York University sparked my desire to search for an artistic outlet that would allow me to express myself.  However, this was set aside due to the necessities of raising a family.  Once my family was grown, and I retired from the business world, I returned to school to earnestly pursue an education in art.

I explored many mediums.  But, when I took a class in ceramics and put my hands on the clay, I knew it was love at first touch.  The love affair has continued.  Explorations in various construction techniques and finishes eventually led to my involvement with saggar firing.

The clean lines of my sculptures provide an unimposing canvas onto which the patterns of the saggar firing are presented.  Just as the complex patterns yielded by the saggar firing engage the observer, the form must be an expression of the aesthetic.  I believe the form must push beyond symmetry.  To create new forms that achieve a break in symmetry, while maintaining clean flowing lines, remains an ongoing goal.

Orchestrating the results of the saggar firing continues to be my biggest challenge.  Although certain factors allow for some control, the results are unpredictable.  I always experience great anticipation and excitement waiting for the outcome.  It is my desire to create something of beauty