b. 1934, Irvine, CA
SELECTED EXHIBITIONS
2007 100 Teapots, Baltimore Clayworks, Baltimore, MD
2006-07 Hot Tea!, del Mano Gallery, Los Angeles, CA
International Orton Cone Box Show, Baker University, Baldwin City, KS
Oregon Potters Association, NCECA concurrent, Portland, OR
2005 Functional Ceramics, Wooster, OH
2004 Solo Show, Orinda Library Gallery, Orinda, CA
2003 Visions in Clay, First Prize, University of the Pacific, Stockton, CA
1996-03 Hot Tea!, del Mano Gallery, Los Angeles, CA
2001 The Yixing Effect, The Art Complex Museum, Duxbury, MA
2000 International Orton Cone Box Show, Baker University, Baldwin, KS
1998 Creche Show, San Francisco Crafts Museum, San Francisco, CA
1997-98 Teapots: A Loose Interpretation, Celestial Seasonings, Boulder, CO
1997 Solo Exhibition, del Mano Gallery, Los Angeles, CA
1996 International Orton Cone Box Show, Purchase Award, Baker University, Baldwin, KS
1995 Bacchus' Vessels, San Francisco Craft & Folk Art Museum, San Francisco, CA
Featured Artist, Collectors Gallery, Oakland Museum, Oakland, CA
Featured Artist, Yerba Buena Center, San Francisco, CA
International New Art Forms Exposition, Navy Pier, Chicago, IL
1994 Crafts National 28, Zoller Gallery, Pennsylvania State University, University Park, PA
Featured Artist, Studio One, Oakland Art Center, Oakland, CA
International Orton Cone Box Show, Purchase Award, Baker University, Baldwin, KS
International Creche Competition, Award, Bellingham, WA
1992 Mostly Teapots, Featured Artist, Clayworks, Davis, CA
California Clay, Davis, CA
National Cup Show, Abington Art Center, Philadelphia, PA
ARTIST’S STATEMENT
My formal training was as a painter; I studied at the University of
California at Berkeley, where I received a B.A. and M.A. in painting.
I also earned a teaching credential and taught one year on Kwajalein
in the Marshall Islands. I have three grown children and seven grandchildren
(my proudest creations!).
I have been working almost entirely in clay for 15 years. I have been
very interested in the teapot and its parts. My teapots
are usually made of porcelain, glaze fired in oxidation
to (cone) 10 and then china painted and refired at (cone) 018. I
am very interested in the play between the surface, shape and painted
images on a piece. For the past five years I have enjoyed making
larger sculptural pieces as well as functional stoneware work, and
I have been salt firing for the past two years.